Two emblems of the Parisian bistro - but one industrial model versus an infinity of hand-made chairs.
The Thonet chair and the French bistro rattan chair are both emblematic of the Parisian bistro. The difference lies in how they are made - and in how many forms they take.
A Thonet chair is solid beechwood bent under steam, an industrial process perfected in Vienna in 1859, and essentially one model: the No. 14. A French bistro rattan chair is made entirely by hand in France: a rattan frame shaped under steam, then a seat and back woven strand by strand in colored fibers.
The visual cue is simple. Bare curved wood means Thonet. A woven, colorful seat and back means a French bistro chair - the kind you see at Café de Flore.
This guide explains how each is made, where each belongs, and why no two woven terraces look alike.
The Thonet Chair: One Bentwood Model
In 1859 in Vienna, Michael Thonet introduced the No. 14: a few lengths of beechwood softened with steam, bent into curves, and assembled with screws. Millions were produced, and “Thonet chair” became shorthand for bentwood seating.
Yet of all the variations, essentially a single model has traversed time: the No. 14. It is the same chair for every customer, in every café. And it is an indoor chair: bentwood does not tolerate rain, which is why you almost never see a Thonet on a terrace.
The French Bistro Rattan Chair: Made by Hand, Never Twice the Same
The French chair starts, surprisingly, with the same gesture. The rattan poles of the frame are steamed - about 20 minutes at 212 °F (100 °C) - and bent on a jig, the very method Thonet applied to beech. There the paths part.
Once the frame has set, the weaving begins: 3 to 30 hours depending on the pattern, each strand placed and stapled by hand. Nothing in the process is industrial. Maison Louis Drucker has worked this way since 1885, and the chairs on the terrace of Café de Flore come from our atelier to this day.
The result is never the same chair twice. Some models have a simple back, like Le Fouquet’s. Others carry a bourrelet - a rolled rattan edge - or a mirliton or médaillon back. Add about fifty fiber colors, glossy Rilsan® or satin Raucord®, and more than fifty weaves, and each establishment composes a chair of its own - often as an exclusive design. Where the Thonet is the same everywhere, the woven chair expresses the character of each terrace.
Bentwood vs. Hand-Woven Rattan: The Core Differences
Material & Construction
A bentwood chair is an assembly of curved solid-wood parts; its character comes from the precision of the bends. A bistro chair combines two elements: a steam-shaped frame in natural rattan - light Manille or dark Malacca - and a woven seat and back. The fibers give the chair its surface, its pattern, and its color. They are dyed in the mass and resist sun and humidity; natural fiber remains available.
Models & Personalization
This is the deepest difference. Thonet’s legacy is one enduring silhouette. The French tradition is a family of models - simple, bourrelet, mirliton, médaillon - multiplied by every combination of colors and weaves. A restaurant can match its awning, its brand, its mood, and keep that design as its own. Customization is not an option added to the chair; it is the point of the chair.
Weight, Comfort & Feel
Both lift with one hand, as a café chair should. Le Fouquet’s weighs 11 lb (5 kg) and stands 33.5 in (85 cm) high. Bentwood feels firm and architectural; a woven seat has a slight give that stays comfortable through a long lunch.
Durability, Repair & Lifespan
When a joint loosens, a bentwood chair is repaired by re-gluing or replacing parts. A woven chair can be re-woven: the same technique that made it can restore it. We have been restoring chairs for more than a century.
Indoor & Outdoor Use
Here the two traditions truly part ways. The Thonet is an indoor chair; rain swells its joints, and it rarely appears on a terrace. The rattan bistro chair is semi-outdoor: it takes a passing shower and spends the fine season outside - keep it away from standing water and store it in a dry place over winter. For year-round exposure, poolside or rooftop, the aluminum-frame version keeps the woven look and stays out in all weather.
How to Tell Them Apart at a Glance
If you only remember one thing: bare bent wood means Thonet; a woven seat and back in colored fibers means a French bistro chair. The table covers the rest.
| Criterion | Thonet (Bentwood) | French Bistro Rattan Chair (Drucker) |
|---|---|---|
| Material | Steam-bent beechwood | Steam-bent natural rattan frame (light Manille or dark Malacca); also wood or aluminum versions |
| Origin | Vienna, 1859 | France — Maison Louis Drucker founded in Paris in 1885 |
| Models | Essentially one: the No. 14, identical everywhere | Many: simple (Le Fouquet’s), bourrelet, mirliton, médaillon — often exclusive designs |
| Seat & back | Bare wood or pressed-wood seat | Woven colored fibers, geometric patterns |
| Color options | Wood tones | About fifty fiber colors (glossy Rilsan®, satin Raucord®), 50+ weaves |
| Fabrication | Industrial process | Entirely by hand: frame shaped, then woven strand by strand (3 to 30 hours) |
| Repair | Re-glue or replace parts | Re-woven and restored in the atelier |
| Where it lives | Indoor — does not tolerate rain | Semi-outdoor (rattan frame); aluminum version for full outdoor use |
Which One Is Right for Your Project?
The right choice depends on where the chair will live and the role color and identity play in your project.
For Residential Interiors

For a warm-minimalist or mid-century interior, the graphic simplicity of bentwood fits naturally - indoors. If you want warmth, texture, and a precise color story - a chair that picks up an accent from a rug or a painting - the bistro chair offers a palette and a set of models no wooden chair can match. Many designers use the two together, woven color against quieter wood tones.
For Cafés, Hotels & Contract Projects
In hospitality, three factors decide: identity, longevity, and the terrace itself. A woven bistro chair matches a venue’s colors and patterns exactly - Le Fouquet’s chairs wear a two-tone checkerboard of their own - withstands daily commercial use outdoors in season, and is restored rather than discarded.
A Thonet cannot follow you onto the terrace. Our team works with architects and designers on models, colors, and exclusive patterns through our Trade Program.
Maison Louis Drucker, Since 1885
Founded in Paris in 1885, Maison Louis Drucker does one thing: rattan furniture made by hand in France. Three trades work side by side - rattan framers, cabinetmakers, and weavers - and training a qualified frame maker takes five years.
That continuity is why our chairs furnish Café de Flore, Le Fouquet’s, and Les Deux Magots, and why a Drucker chair can be returned to service decades after it was made.
If the woven tradition appeals to you, read our complete French bistro chair guide, or learn how to spot an authentic bistro chair.
Find Your French Bistro Chair
Drawn to the woven tradition? Explore our models, compose your colors and weave, and bring the spirit of the Parisian terrace to your space.
